Music & Events

A largely self-taught musician, Porter began treating audiences to his brand of guitar playing and wry storytelling in the late ‘80’s while living in Madison, Wisconsin. In 1990, he released his first full-length independent album, The Trees Have Soul, and the touring life has flowed steadily ever since. Porter has literally logged millions of miles across America, Canada, the UK, and Europe, touring solo, as well as with various incarnations of the Willy Porter Band and in support of artists like Tori Amos, Paul Simon, Jethro Tull, Sting, and Jeff Beck.

Porter’s breakthrough album, Dog Eared Dream, was released in 1994, and the song “Angry Words” quickly became a staple at the burgeoning AAA radio format. This led to a major label deal with BMG/Private Music in 1995. Unfortunately, Private was dismantled by BMG just as Porter was preparing to release his follow-up. With contractual freedom in 1998, Porter quickly signed with the San Francisco-based label Six Degrees. There he released three albums beginning with the studio gem, Falling Forward (1999), produced by multiple Grammy-winner Neil Dorfsman (Dire Straits, Sting). The eponymous Willy Porter (2001) followed featuring great guest performances by Ian Anderson from Jethro Tull and Tony Levin. His fan-favorite solo disc, High Wire Live (2003) was co-produced with Grammy-winner Ben Wisch (Marc Cohn, Shawn Colvin).

In 2005 Porter left Six Degrees and launched his own imprint, Weasel Records. Together with longtime keyboardist/ collaborator Dave Adler, Porter produced the atmospheric album Available Light in 2006. His work with Guild & Fender guitars over the next several years would result in the manufacture of the “Willy Porter Signature” acoustic guitar. Porter then took time to record and produce singer/songwriter Natalia Zukerman, on her whip-smart Weasel debut, Brand New Frame (2008). Porter released his next disc, How to Rob a Bank in 2009, the heavily Americana-flavored record featuring the contributions of the LA-based quartet, Raining Jane. Bank was followed with a live disc recorded with the Carpe Diem String Quartet in (2010). This collaboration produced a gorgeous EP featuring several of Porter’s most enduring tunes (“Breathe,” “Paper Airplane,” “Watercolor”), elevated and reinterpreted against a backdrop of lush string arrangements.

In 2011, Porter produced the second Weasel release for Natalia Zukerman, the driving Gas Station Roses. A partnership with Milwaukee-based singer/ songwriter Carmen Nickerson resulted in the album, Cheeseburgers and Gasoline (2013). This spartan production illuminates themes of life-longing and relationship repair, all while balancing the dream of self-actualization on the axle of a carnival’s Tilt-a-Whirl. The record also includes Porter’s brilliant cover arrangement of Peter Gabriel’s “Digging in the Dirt.” Porter’s follow-up release, Human Kindness (2015) incorporated all of his acoustic, electric, and multi-string chops to bear in service of a great selection of songs bearing the influence of soul, rock, blues/Americana, showcasing Porter’s growth as a writer, musician, and producer.

After touring extensively together for more than two years, Porter and Nickerson released a full-length disc of original co-writes: Bonfire to Ash (2016). Produced by Grammy winning producer Ben Wisch (Marc Cohn, Jonatha Brooke) and featuring Bassist Zev Katz and Drummer/Producer Ben Wittman, Bonfire to Ash is a record that charts the experiences bridging the intimate with the universal. Porter and Nickerson borrow from their strong stage chemistry to render the same kind of musical conversation that unfolds in performance within a studio setting. This dialogic style broadens to consider the connections and values forged in the communities we call home (“Living Proof”) and in the responsibility we have to the planet that gives itself to house us (“Plant A Garden”). Bonfire to Ash compiles candid snapshots of the human journey, exposing ideas such as hope, regret, love, loss, and connection that remain immutable against time, history, or place.

In addition to making a life in music, Porter finds ways to make an impact on local and international levels. He is an active supporter of Advocates of Ozaukee, a shelter and treatment facility for victims of domestic violence and abuse in Mequon, Wisconsin. His annual benefit concerts have raised more than $100,000 for this organization to date. He is also an Ambassador for Guitars for Vets, a Milwaukee-based International organization that works to improve the lives of veterans by providing them with guitars and music lessons.

Willy Porter lives in Milwaukee, Wisconsin with his wife and two children.

Instrumentation alone sets this Toronto-based trio’s sound apart: consisting simply of fiddle (John Showman), clawhammer banjo (Chris Coole), and upright bass (Max Malone).  The spine-tingling harmonies and interchanging lead vocals only bring more magic to the equation. They’ve become festival favourites at Rockygrass, Celtic Connections, Winnipeg Folk Festival, Merlefest and regularly tour the USA, UK, Germany and, of course, Canada.

With more than a decade of group music-making under their belts, they’re releasing their fifth album, a feisty and mighty collection of all-original material titled ‘Try To Make It Fly’ (October 13, 2023).

Call Lonesome Ace Stringband whatever genre you want - they are just unorthodox enough to be brilliant.

Sam Robbins is often described as an "old soul singer songwriter." A Nashville based musician whose music evokes classic 70's singer songwriters like James Taylor and Neil Young, Sam adds a modern, upbeat edge to the storyteller troubadour persona. An avid performer, he has gained recognition from extensive touring and as one of the six 2021 winners in the Kerrville Folk Festival New Folk competition, one of the largest and most prestigious songwriting competitions in the country. 

Sam released his debut album, Finally Feeling Young, on May 14th, 2021. The album is reminiscent of his 70's singer-songwriter heroes, with a modern perspective. On the heels of the award winning opening single, 'Remind Me", Finally Feeling Young has already garnered radio airplay and critical acclaim. Two album tracks, Remind Me and Saying Amen, won him a place as one of the six Kerrville Folk Festival New Folk winners. Americana Highways writes: “He writes of subjects that others don't explore. Saying Amen has Robbins touching that special place Leonard Cohen went. This is brilliance." Fateau Magazine in the UK writes "One of the most promising new songwriters of his generation". 

A multi-instrumentalist from a young age, Sam began learning drums and piano, falling in love with guitar at age 13. He then started writing original music, recording his first CD during his sophomore year of high school, while playing open mics in his hometown of Portsmouth, NH.   

Sam is a full time troubadour, playing over 150 shows a year across the country, including the MainStage at the Kerrville Folk Festival, the Dripping Springs Songwriter’s Festival, and as one of the “‘Most Wanted to Return” artists in the 2023 Falcon Ridge Folk Festival.

Since moving to Nashville in September 2019 following his graduation from Berklee College of Music, Sam has made a splash in music city - performing at the Bluebird Cafe within a month of moving, and sitting in again at the legendary venue with Liz Longley in February, and was a winner at the Eddie's Attic Songwriter's shootout competition in Atlanta in early March 2020. 

In 2018, Sam was able to audition on NBC's The Voice for Adam Levine, Kelly Clarkson, Blake Shelton and Jennifer Hudson as the first artist to perform a Jim Croce song on the show.  

Sam's second album, Bigger Than in Between, was released in August 2022 to critical acclaim.

Within ten years, and barely out of high school, Garnet Rogers was on the road as a full-time working musician with his older brother Stan. Together they formed what has come to be accepted as one of the most influential acts in North American folk music.

Since then, Garnet Rogers has established himself as ‘One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs “give expression to the unspoken vocabulary of the heart” (Kitchener Waterloo Record). An optimist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small victories of the everyday. As memorable as his songs, his over-the-top humour and lightning-quick wit moves his audience from tears to laughter and back again.

“Garnet Rogers is capable of awe-inspiring and unpredictable stuff – and that includes more than just music”

Resolutely independent, Garnet Rogers has turned down offers from major labels to do his music his own way.

Within ten years, and barely out of high school, Garnet Rogers was on the road as a full-time working musician with his older brother Stan. Together they formed what has come to be accepted as one of the most influential acts in North American folk music.

Since then, Garnet Rogers has established himself as ‘One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs “give expression to the unspoken vocabulary of the heart” (Kitchener Waterloo Record). An optimist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small victories of the everyday. As memorable as his songs, his over-the-top humour and lightning-quick wit moves his audience from tears to laughter and back again.

“Garnet Rogers is capable of awe-inspiring and unpredictable stuff – and that includes more than just music”

Resolutely independent, Garnet Rogers has turned down offers from major labels to do his music his own way.

“If Joni Mitchell and Richie Havens had a love child, with Rodney Dangerfield as the midwife, the results might be something close to the great Vance Gilbert", says Richmond Magazine.

Vance's new album, "The Mother Of Trouble”, features Grammy winner Lori McKenna on background vocals, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars, and Americana-Roots master mandolinist Joe K. Walsh. With 4 bullies, 4 deaths (3 of them murders), 3 moms, 2 accidents, 2 Black people, 2 dogs, 1 dog ball, 1 gay kid, and 1 missed flight thanks to gas station sushi, this album benefits from the gifts of time and experience honing songwriting skills that put this most vital of acoustic storytellers at the top of the game.

Oh, and Management wants to make sure to tell you that this is the 14th release for this acoustic stalwart.

30 years into his career, the songwriter’s influence can be felt all over the contemporary Folk and Americana realm as he has helped pave the way for many of the BIPOC artists who have followed.

Vance was born and raised in the Philadelphia area. Starting out hoping to be an R&B and jazz singer once at college, there he discovered his affinity for the storytelling sensibilities of the acoustic singer-songwriter thing. Word spread like wildfire about Gilbert's stage-owning singing and playing, and Shawn Colvin invited him to be special guest on her 1992 Fat City tour where he took much of America by storm and by surprise. “With the voice of an angel, the wit of a devil, and the guitar playing of a god..” wrote the Fort Worth Star-Telegram.

Noted not only for being the ever consummate performer, Gilbert has recorded 13 albums, including 5 for Philo/Rounder Records. Along with being opener of choice for artists as varied as Arlo Guthrie, Anita Baker, The Milk Carton Kids, and Southside Johnny, the mid 2000’s found Gilbert opening 150+ shows for comedian George Carlin.

Gilbert has also been a prominent presence at some of the world’s most prestigious gatherings and halls, among them the Newport, Winnipeg, Rocky Mountain, Calgary, Ottawa, and Falcon Ridge Folk festivals, the Kate Wolf Music Festival, and Australia’s Woodford Folk and Mullum Music Festivals, Mountain Stage, Boston's Symphony Hall, Nashville’s Lyman Auditorium, The Barns at Wolftrap, and a private party for his veterinarian where there was terrific lo-mein.

Most recently he’s been the opener of choice for Mad About You/Stranger Things star Paul Reiser’s stand-up shows (50 +) for the last 7 years, along with his own busy acoustic music touring and coaching schedule. That current schedule includes Vance’sMondayNightAcousticPajamaParty on YouTube. Having started the first week of the pandemic in 2020, Vance has played a live, themed, weekly 90 minute mixed bag of originals and cover tunes to a rotating following of about 200 folks. 10 to 20% of his weekly tip jar is donated to a local 501(c)3 of his choice. At the time of this writing, having done 155 of these shows has become newsworthy in itself.

Gilbert has been a songwriting, performance, and voice coach all around the world, kinda, from Australia to Winnipeg, at all the festivals above plus The Kerrville and Rocky Mountain Song Schools, he is currently on staff as Instructor/Professor at the University Of Colorado Denver and has a decade worth of summer programs at the Berklee College Of Music under his belt. What? Private coaching? Yes, 6-10 students weekly too.

Considered by many to be an integral part of the national folk scene, his previous record "Good Good Man" features an eclectic roster of musical types including rocker Mike Posner, world renown Celtic harpist Aine Minough, bluesman Chris Smither, and Al Green’s organist Stacey Wade.

Gilbert runs 3 to 4 miles ever so slowly 5 days a week to stay sharp for the road and does historical aviation research and model building just for great nerdy fun.

He even has a tune on a Grammy Nominated children’s album. How rounded is that?

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